Seen anything good on TV lately? If the answer is ‘No,’ then maybe the problem is that you and your TV just aren’t communicating as well as you could be. The same may be said of your experience across other viewing mediums, like smartphones, tablets and PCs.

Veveo wants to change the picture, so to speak. “We want the TV to be as friendly as possible so you and the TV can have a really productive relationship,” says CMO Sam Vasisht. The company, which earlier this month exhibited its Conversational Interface Technology at TV Connect 2013 in London, says there’s a need for a universal interface based on natural language capability, so that people more intuitively can grasp what is available from where in a world of fragmented content sources, including how to better search for that content and manage their viewing experiences with greater speed and ease.

“Voice is probably the most natural way for us to deliver this experience,” says Vasisht. Veveo wants to be the platform that enables service providers and OEMs and video programmers to give their audiences the power of speech. Read more

Instagram. Tumblr. Pinterest. The web in 2012 is a tremendously visual place, and yet, “visual media still as dumb today as it was 20 years ago,” says Todd Carter, founder and CEO of Tagasauris.

It doesn’t have to be that way, and Tagasauris has put its money on changing the state of things.

Why is dumb visual media a problem, especially at the enterprise-level? Visual media, in its highly un-optimized state, hasn’t been thought of in the same way that companies think about how making other forms of data more meaningful and reasonable can impact their business processes. A computer’s ability to assess image color, pattern and texture isn’t highly useful in the marketplace, and as a result visual media has “just been outside the realm of normal publishing processes, normal workflow processes,” Carter says. Therefore, what so many organizations – big media companies, photo agencies, and so on –  would rightly acknowledge to be their treasure troves of images don’t yield anywhere near the economic value that they can.

Read more